Pedestrian Deposit

The collaborative work of Pedestrian Deposit—Shannon A. Kennedy and J. Borges—is best described as visceral and narrative; highly composed, often abstract sound textures informed by elements of experimental sound, harsh noise, musique concrète, neo-classical, dark ambient and performance art—but is not beholden to any one genre. Borges’ crude yet disciplined electronics and controlled feedback manipulation contrasts Shannon’s self-designed, physically activated sculptural instruments and extended bowing techniques, resulting in music that is both raw and refined. In a live context, the duo places an emphasis on the development and evolution of physical, psychological and organic live performance.
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photo: ZebIan MacPhee